The reframe Don't explain the energy.Show it.
The decision that shaped everything else: lead with footage from real assemblies, not a photograph of a building. The headline and the booking button sit over the room itself, so nothing has to describe the atmosphere.
Everything under it is disciplined — one action repeated down the page, contrast held over moving video, visible focus states, motion that respects a reduced-motion setting. Programs, references, team and the work in Mexico each get their own place rather than a paragraph at the bottom.